Initially, while in rehearsals, (back in 2003) my dancers and I called it the 'hand ballet'. The gestures are reminiscent of American Gothic, with the pitchfork and the crossed arms --- the first phrases in that grouping are the themes that guide the variations for the whole work ... I think of scooped earth and prayer, violins poised and flocks of birds traced across the sky; listening to the earth like a shell in my hand and blowing the dust away .... putting that rock in my pocket and heading back to work .... those are the images of plainsfolk, everyday gestures that are universal. There are also bound gestures that speak of yearning for freedom, yoked pairings that share the burden and teamwork which makes us stronger. Perhaps the dancers are stalks of corn (from Nebraska!), swayed by winds of summer or dry brown reeds aching for the thawing wind of spring after a hard winter. The return to the theme at end in speedy fashion becomes a flock of birds, turned in unison by the buffeting winds, as one voice---arresting in their symmetry. This time when I rehearsed the dancers, I told them we should be able to do this in unison with our eyes closed---but I peek to see if we are.
I think that's what this dance is about...but you may see something else; I'd love to hear what you see and feel as you watch it! Come out and see it at Miller on Friday and Saturday night, September 12,13, 2008
Posted by Sandra Organ Solis 9/7/08
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